1/7/2024 0 Comments John applejack movie![]() ![]() But the challenges, and their solutions, are emotionally wise. Are there songs about childhood memories and loyalty and play dates? Of course. (Perhaps the seahorses introduced here can advise the girls on asexual reproduction.)īeat by beat, “My Little Pony: The Movie” is at once clichéd and exceptional. While that imbalance shouldn’t feel revolutionary, it does. The only major male character is a baby dragon named Spike (Cathy Weseluck). It’s the rare cartoon where guys are so sidelined they’re almost nonexistent. Celaeno (Zoe Saldana) and pop goddess Songbird Serenade (Sia), who, like the eight-time Grammy nominee who voices her, dyes her mane black and white. “I wasn’t expecting guests.” Luckily for Twilight Sparkle and friends, “My Little Pony: The Movie” is chiefly under the control of powerful women, from Equestria ruler Princess Celestia (Nicole Oliver) and Queen Novo (Uzo Aduba) of the hippogriffs, to feathered pirate Capt. “Apologies for the state of my litter box,” he purrs. Feline con man Capper (Taye Diggs) combines all three, so naturally, he lures the ponies to his home with wicked intentions. The movie has a gut distrust of men, carnivores and earth tones. No one born in this millennium would recognize that diss. (Hasbro hastily dubbed the awkward pony Muffins.) And the film has plenty of adults-only gags, as when Tempest Shadow summons her incompetent boss, and the lazy and ungrateful old coot arrives to the sound of a dial-up modem. If the entendres are deliberate, the screenwriting team of Meghan McCarthy, Rita Hsiao and Michael Vogel isn’t confessing - though they do give a sentimental role to Bronies’ favorite character, a cross-eyed klutz that internet fans named Derpy Hoooves. Another punchline has a male character reaching down out of frame to reassuringly pat his crotch. As the fillies seek to dethrone him, they’re hunted by Storm King’s minion Tempest Shadow ( Emily Blunt), a unicorn with a broken horn that fizzes like a sparkler, who stalks them wearing black rubber. Still, in “My Little Pony: The Movie,” the evil satyr Storm King (Liev Schreiber) has enslaved the ponies of Equestria with leather bridles, a look that unmistakably suggests S&M. To them, what’s truly deviant isn’t the fan art found on 4chan, but a society that armors men against cuddles. It’s a brave battle against the stereotype that boys can’t like pink. They argue that Brony culture isn’t about immaturity or perversion. In 2014, the Morgan Spurlock-produced documentary “A Brony Tale” met Iraq vets, motorcycle mechanics and oddball college bros who adore the show. Grown men love ponies, too - so much that they’ve become Equestria’s most infamous groupies. Instead of easy afterschool platitudes, the show focused on advanced lessons: how to accept flaws, forgive mistakes and melt anger with empathy - sophisticated stuff for an audience with an intended age of seven.Įmphasis on intended. More importantly, Faust gave her characters clashing personalities, and centered the series on her six heroines pushing past their differences to become best friends. ![]() For those who forgot about the toy franchise after it sold 150 million plastic ponies in the ’80s, seven years ago Hasbro handed the reins to Lauren Faust, a writer, director and animator on the cult smash “The Powerpuff Girls.” Faust prettied up the ponies, slimming their legs and snubbing their noses so short they can barely wear sunglasses. ![]()
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